Talent, sarcasm, personality, minimalism.
D. Danikas, NEA
Dimitri Athanitis is a unique presence in Greek cinema: he began with a personal stamp, Addio Berlin and No Sympathy for the Devil, refining the postmodern and rock expression in a "end of the century" melancholy.
Thodoris Koutsogianopoulos, Lifo
Simple fresh images, straight from the director's dreams, images from everywhere and nowhere. Athina Sotiropoulou, Cinema
Who is this fanatic cinefil who manages to embroider his cinematic memories with his desire to make cinema? E. Kanellis, ANTI
One of the best films I saw in Thessaloniki IFF
Sandor Korospetaki, Fipresci
Independent production, lively and convincing images influenced by the director's personal mythology, who also has the talent to completely transform the space. D. Kanellis
Addio Berlin is a psychograph.
M. Katsounaki, Kathimerini
These pictures have their origins in the independent cinema and for sure, their own future. G. Deliolanis, Cinema mag
The great surprise came in the Saturday evening and brought to me the favorite film. P. Timogiannakis
A film, different from the rest.
V. Palaiologou, Exostis